Huntress: Cry for Blood
Story by Greg Rucka
Pencils by Rick Burchett
Inks by Rick Burchett and Terry Beatty (issues #5 and #6)
Short Synopsis: After being framed for murder, Huntress must prove her innocence. After meeting The Question, we learn her story as the only surviving family member of a mafia hit.
The Bottom Line: A character-driven drama with noirish elements and a well-plotted story line, written on one of Rucka's good days and with great art, to boot. Read it!
Why It's Good: The comics medium, by its very nature, doesn't lend itself well to stories about moral choices and character change. After all, if a character keeps changing over his or her decades-long history, are we going to recognize them anymore? This works, though, for certain characters, and for flashback stories for popular, well-established characters.
The Huntress herself is a character in constant internal conflict, always straddling the line between Justice and Vengeance. When it comes to her family history, that line, in her mind, gets a little blurred. Fortunately, Huntress never lets this conflict devolve into an angsty angry-at-her-life attitude. Instead, she's out for blood.
Our story starts with the murder of two mafiosos who have each been killed with an arrow from Huntress's crossbow. The media, the police, and even Batman and Family suspect she's guilty. Just when it seems like she's got no one to turn to, she nearly runs over The Question one night, and after some sparring, he absconds with her to his Super Secret Zen Hideout, where he and Richard Dragon give her a new outlook on life.
The story's a weighty one, heavy on backstory, and with clear-cut stakes for both Huntress and The Question. For Helena, she must not only clear her name, but choose who she ultimately is: an agent of revenge struggling away from a broken past, or someone "better" than that who upholds the law. The Question hopes Helena will put his wisdom into action after investing his time in taking her under his wing, plus there's the possiblity of a romantic relationship. I'm not going to give away the ending, but it's a good one.
Granted I haven't read too many Huntress comics (but I've read quite a bit of The Question), but I feel Rucka is on his game when it comes to characterization. I secretly suspect Rucka is Italian, because he writes them so well. (They are also drawn very believably by Burchett.) Rucka handles The Question quite well, too, and I really like seeing Vic as the good-hearted Sensei To The Superheroes and in a lighter mood than his Denny O'Neill days. I wish Vic would come along more often and set people straight. (Oh, wait, he can't. He's dead.) Rucka balances the Zen insight with the sarcasm quite well, too. (The latter being, of course, Vic Sage's one superpower.)
The Art: I really enjoyed the art. It's quite different from today's comic art: very "2D" with little shading, and the characters' expressions are very slightly caricatures while at the same time preserving realism. His figures are realistic: no over-roided guys or DDD-busted girls here. There's a great efficiency of line and cleanliness to the style and inking that you don't see today unless you crack open a Johnny DC title. It's a nice, refreshing break from the complicated, fantasized, hyper-reality of comics art today.
Not only that, but Burchett draws Vic Sage really well. Vic is a real character, and that should show on his face, and Burchett thankfully doesn't hold back on the smug little expressions that only Vic Sage is capable of. Compare and Contrast time!
Vic channeling the Great James Cagney?
A more recent appearance of Vic. (Oh wait. "Charlie."):
Not to mention, there's all sorts of great little visual details, like Vic punching a soda machine. If anyone gets to punch a vending machine in the DC Universe, it's Vic Sage.
Oh, yeah, and Batman shows up. And Vic gives him some lip. That's always amusing.
Batman: Mr. Grumpy Gills
The only downside to the story is that it's rather complicated to keep all the mafiosos and who-did-what and who's-related-to-whom straight. But I wouldn't let that detract from a very enjoyable story.
It's a shame it's not in print anymore--hopefully it'll be reprinted soon. But I urge you to look for it and read it, if you haven't already.